近几年，北欧电影人接连创作出令人刮目相看的作品，《世界上最糟糕的人》和《无辜者》让我们认识了挪威导演的扎实功力，而紧接着同样在戛纳电影节又冒出了另一位挪威导演的身影——克里斯托弗·博格利（Kristoffer Borgli）。《受够了自己》是他的第二部长片，入围去年“一种注目”单元，更登上“恶趣味教父”约翰·沃特斯去年的年度十佳榜单。
这位名不经传的导演究竟凭什么俘获影评人的欢心？相信看过他的处女作《能量唤醒》的观众会有答案。博格利相当擅长观察当下时代的发展潮流趋势
The movie discusses how our antihero Signe uses her little project to abuse a culture that has been formalized. That's part of our situation today: a "healthy" society, devitalized people, and sickened stars. When the old spirits left, they must have been streaking out of the room. For it's just their clothing that we are wearing. Our culture has come down to resemble a marketing platform. It used to be like a nursery.
《受够了自己》喜欢胶片电影的色调和场景构图
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